html

Saturday, July 1, 2023

Cuneiform Records JULY 2023 Newsletter

*|MC:SUBJECT|*

CUNEIFORM RECORDS

 

JULY 2023 
NEWSLETTER:

New Releases & Concerts 

 

view this email online
– on laptop/computer:  click menu links & jump
– on mobile: scroll down

~~~~~~


NEW DIGITAL RELEASES COMING OUT JULY 28, 2023:  
A JAW-DROPPING ARRAY OF WILDLY DIVERSE AVANT PROGRESSIVE MUSIC


A LIGHT SLEEPER  –  EQUAEVRERPOISE
New recordings by Chicago avant progressive rockers A Light Sleeper (Maria Elena HernandezTraci Huff Matthew Jung Dheeru Pennepalli) [USA]

MILLER TWINS  – EARLY COMPOSITIONS 1973-1976
Recent recordings of the early post-classical/chamber rock compositions by Michigan's Miller Twins (Lawrence & Ben Miller), multi-instrumentalists & composers of Fourth World Quartet and Destroy All Monsters [USA]

PICCHIO DAL POZZO  –  IN CAMPORELLA
A  live recording of improvisational rock / post-jazz music by Italian progressive rock legends Picchio Dal Pozzo [ITALY]

RASCAL REPORTERS  – THE STRAINGE CASE OF STEVE
Avant progressive/ post-rock duo Rascal Reporters (Steve Kretzmer & James Strain) release new tunes for their 1st Cuneiform release, & invite global guests such as
Guy SegersDave NewhouseDario D’AllessandroKimara Sajn on a few tracks  [USA+beyond]
~~~~~

OUT NOW ON CUNEIFORM RECORDS!

LOCATION LOCATION LOCATION – DAMAGED GOODS
New studio recording by Michael Formanek (bass), Anthony Pirog (guitar) and Mike Pride (drums)
Three of the most talented players/composers in American jazz join forces during damaged times.

~~~~~

SNEAK PEEKS
– COMING OUT AUGUST 25, 2023 IN DIGITAL FORMAT: 
Cuneiform Reissues the entire HERETIC CATALOG from Japan, featuring 
HIRO KAWAHARA'S UNDERGROUND ELECTRONIC BAND FROM THE 1980'S-1990'S 

~~~~~ ~~~~~

~~~~~
ENJOY A WORLD OF MUSICAL ADVENTURE with 
CUNEIFORM RECORDS ONLINE: 
 
• EXPLORE Cuneiform Records'  SOCIAL MEDIA // BANDCAMP PAGE // YouTube Channel

 Purchase music from100s of labels at WAYSIDE MUSIC, our sister store estab. in 1980

• Missed seeing a CUNEIFORM NEWSLETTER? Access prior issues at
cuneiformrecord.blogspot.com/  

~~~~~

mark your calendar:
2024 is CUNEIFORM RECORDS' 40TH ANNIVERSARY!!! 
 
We celebrate Democracy this Independence Day and send love & solidarity to Ukraine
COMING OUT JULY 28, 2023:

 
Bio information: A LIGHT SLEEPER
Title: : EQUAEVERPOISE  (Cuneiform Rune 3366)
Format: DIGITAL
Label: CUNEIFORM RECORDS
Release date: JULY 28, 2023
FILE UNDER: CHAMBER ROCK / AVANT PROGRESSIVE /  POST ROCK
 

“Over the years our sound has evolved from loop-based improvisations and dreamy, layered soundscapes to more tightly constructed and focused compositions. And now we’re trying to find a balance between the two approaches... the goal being...music that the listener can enjoy on a casual level...but it also reveals... layers of complexity through more focused, active listening."
 
Chicago’s A Light Sleeper initially emerged in the summer of 2005 as a duo consisting of Matthew Jung (drums, keyboard) and Dheeru Pennepalli (guitar, vocals). Having come up in the DIY post-punk/hardcore/noise scene, they were both eager to do something drastically different — a quieter band, exploring minimalism and improvisation built around Pennepalli’s experiments live-looping his atypically tuned guitar and voice.
 
The duo prepared a 20-minute set, and made their decidedly inauspicious debut at The Mutiny, a now defunct dive bar known for showcasing hard rock and metal bands (as well as for being home to the largest urinal in Chicago). Many of those in attendance didn’t realize the band was actually performing and assumed Pennepalli was still sound checking or troubleshooting a faulty amp. Despite such early hiccups, the band soon began gigging regularly in the city, with notable early performances opening for Jeff Parker’s Cushicle Trio, Azita, and Geoff Farina.
 
In 2007, Pennepalli met Maria Elena Hernandez (alto/tenor sax, voice) and invited her to sit in on a rehearsal. A recent transplant from Indiana, Hernandez had studied music education and the classical saxophone repertoire at Indiana University South Bend. Having little formal training themselves, Jung and Pennepalli were quite impressed with her smooth and polished sound. Hernandez agreed to join the band, and as she composed sax parts for the duo’s existing songs, she began influencing the writing process overall — giving more structure and form to the compositions while still leaving plenty of space for improvisation. The new trio released their first EP Amicability on Another New Calligraphy, an independent art/music/literature imprint, in 2009.
 
From 2010 to 2011, multi-instrumentalist Chandler Evans (bass, guitar, percussion) joined the trio during his brief time living in Chicago. Though his tenure was short, Evans had become an integral part of the band, contributing to their followup EP Brevity (recorded in early 2011 but not released until the following year), as well as the band’s original score for Life as Lincoln, a feature-length documentary about an annual convention for Abraham Lincoln impersonators.
 
Following Evans’ departure, the band recruited David Keller (cello) after Pennepalli saw him performing with a jazz-pop group. A busy working musician juggling several projects, it took some convincing for him to finally attend a rehearsal. But within minutes, Keller was hooked. He immediately invited close friend and frequent collaborator Traci Huff (viola), an idiosyncratic player known in Chicago’s classical and new music communities for her unique phrasing and use of extended techniques.
 
With Keller and Huff on board, 2011 would prove to be a momentous year for the band. They began functioning more like a true composers collective, with Keller and Huff favoring a more structured approach to songwriting. For the first time, the band was charting out sections on a whiteboard and notating music. This more rigorous process quickly yielded the band’s first EP as a quintet, Concision, their final release for Another New Calligraphy.

listen to the track "Chrysanthemums" on Soundcloud:

On another note, 2011 also marked the beginning of Hernandez and Pennepalli’s romantic involvement — much to their bandmates’ relief, who by then had endured months of sitcom-ish ‘will they/won’t they’ melodrama from the two. “Jung sat us down and made us both promise we wouldn’t let it impact the band, and that if things went bad we’d handle it like adults,” recalls Hernandez. Fortunately, things didn’t go bad, and the couple were married in 2018.

Finally hitting their stride as an ensemble, the band began writing their most ambitious album to date, Distinction (a Ballet in Six Parts). “That was our attempt at creating something in the tradition of the classic prog-rock concept album,” Pennepalli recalls. “Dheeru and I had become obsessed with this Pina Bausch documentary, which inspired a lot of discussion between us about the creative process and how an artist is forced to confront their ego and insecurities. So, the lyrics and music were written to convey cyclical and interweaving emotions experienced during a creative process,” adds Hernandez. 

Shortly after recording the album, the band embarked on a short tour in the fall of 2016 with dates in New York, Washington D.C. and Boston. Shortly after returning, Keller informed the band he’d be stepping down. Soon to become a father, Keller made the difficult decision to scale back his creative pursuits to focus on teaching. The band would eventually self-release Distinction in 2019.

Keller’s departure left the remaining four members in a bit of a predicament. Attempts to rearrange the songs on Distinction for quartet were unsatisfactory, as were attempts to find a suitable fifth member. They soon decided to start fresh, and took the next couple of years off from performing to focus on writing an entirely new set of songs as a quartet. In November 2018 they debuted the new material to an enthralled audience at an art gallery in Chicago. The new songs were leaner, tighter, and had a more buoyant energy — almost as if it were an entirely new band.

Looking back, Pennepalli marvels at the band’s growth from that scrappy little duo opening a metal show at a dive bar. “Over the years our sound has evolved from loop-based improvisations and dreamy, layered soundscapes to more tightly constructed and focused compositions. And now we’re trying to find a balance between the two approaches,” Pennepalli says of the band’s music. He continues, “what we’re trying to do is write just a bit beyond our technical capabilities — the goal being to challenge ourselves with difficult music, but presenting it in a way that’s accessible and flexible. By ‘flexible’, I mean music that the listener can enjoy on a casual level — like background music at a social gathering, or passively listening on headphones while working — but it also reveals subtleties and layers of complexity through more focused, active listening. So in other words, music that’s both easy and difficult at the same time.”


listen/buy on Bandcamp:

CREDITS:
Maria Elena Hernandez - alto and tenor saxophones
Traci Huff - viola
Matthew Jung - drums, keyboard
Dheeru Pennepalli - guitar

“…an exhilarating tension and momentum through the interplay of jazz-like theses and curving post-rock ramparts.” — chirpradio.org

“...strangely melodic, though not in any traditional sense.” — progarchives.com

“…not quite rock, not quite jazz, not quite worth labeling, but most certainly worth hearing.” — smilepolitely.com
COMING OUT JULY 28, 2023:

MILLER TWINS


EARLY COMPOSITIONS 1973-1976

Bio information: MILLER TWINS
Title: : EARLY COMPOSITIONS (Cuneiform Rune 3368)
Format: DIGITAL
Label: CUNEIFORM RECORDS
Release date: JULY 28, 2023
FILE UNDER: CHAMBER ROCK / AVANT PROGRESSIVE /  POST CLASSICAL
 
New recordings of previously unrecorded and unheard early compositions by
Michigan twins Ben and Laurence Miller,  
the multi-instrumentalists and composers of
Fourth World Quartet and Destroy All Monsters.


The Miller Twins recall their early musical travels:

British Invasion and Psychedelic Rock unwound itself in a tizzy as The Beatles began to break up. Hendrix and others died and Syd Barrett evaporated quickly. Local inspirations MC-5, SRC, and other promising bands were also coming to an end. Rock as ‘new music’ became progressive at best, leaving little left but Classic Rock to soon melt into the coming dread of Disco. The tail end of Don Van Vliet was still percolating, but most of our attention now turned towards Bitches Brew, Out to Lunch, Escalator Over the Hill, Erik Satie, Charles Ives, Waiting For Godot, Henry Cow, Sun Ra, Ayler, Ornette, and various expressions of aleatory music.

MARSH CRABBITTS and his CLAPFORD PLATUNE was a horn-based band Laurence Miller formed in late summer 1972 with a focus on clarinets and saxophones. Its cock-eyed marching band sensibilities took hold rapidly. Homemade compositions were drawn up with hallucinogenic free-form notation applied. The Miller twins - Laurence and Ben - were 18 at the time with no training as to how one should go about composing. Although some band members were schooled in music, none were particularly proficient on their instruments. They were known to exclude ‘learned’ musicians, choosing to play with best friends instead. They may not have had the ‘chops’ but were clearly willing to openly explore.

Good friend David Swain had formed his own free form jazz collective ‘The Cruzonics’ earlier that year which amazingly managed to make the 2nd round at Saline Battle of the Bands. Though David’s entourage and The Clapfold did intermingle from time to time, The Cruzonics as a separate entity was loose and always had a rhythm section, where as The Clapfold Platune focused solely on original compositions written out on staff paper with pockets of ‘illustrated’ free-form areas.

The Clapfold Platune managed a few gigs at Earthworks Pioneer II Free School and a couple random outdoor performances on Ann Arbor’s Diag. They were also part of a pack that lead Ann Arbor’s 1st Ozone Parade with David Swain with their photograph making the front page on The Michigan Daily. Best of all was a triple bill show at Ann Arbor’s The People’s Ballroom (along with The Cruzonics) and finally Ann Arbor Community Television’s first ever video production ever, converging with The Cruzonics renamed for the occasion as The Psychic Research Jazz Ensemble - ESP through Drugs – in August of 1973.

Laurence & Ben then moved to Boston (with David Swain) where the two attended The School of Contemporary Music in the fall of 1973. They continued composing, rehearsing with open-eared musical friends they met, soon discovering the school experience was not what they had hoped it would be. Contemporary? Nope.

~ ~ ~

THE CRUZONIC MUSIC ENSEMBLE slowly formed and in February 1974 performed at Berklee College of Music. Disbanding shortly thereafter, Laurence and Ben formed THE NOVA MOB with Donnie Davis and Johnny Ellis – yet another group named after one of William S. Burroughs’ novels.
 
As Donnie Davis recalls:
 "I was a student at the Berklee College of Music 1972-74. While learning a lot there I found myself gravitating towards some extracurricular, off-campus musical activities which led me to find the Miller brothers. (perhaps at the encouragement of David Swain?) This homegrown music hit the sweet spot for me. I loved Laurence’s and Ben’s unique writing / playing style within their naturally derived musical system. We spent many hours working on these wonderful melodies and outlines, hence “The NOVA MOB”. Also, we listened to many recordings of past and forward sounding jazz styles along with modern classical/electronic music. This inspired me to later move to Woodstock NY to study at the Creative Music Studio and then NYC to keep discovering new sounds and eventually be a part of the Microscopic Septet playing alto sax. Happy to be included here on a couple tunes that we covered back then and now NOW. Note: Michael Hashim has been with the Microscopic Septet for many years, and was in fact involved jamming with us some back then!”
– Donnie Davis – 2023
 
THE NOVA MOB’s drummer – the late Johnny Ellis – later performed, recorded, and arranged for THE WIDESPREAD DEPRESSION ORCHESTRA. He also formed his own band, the NYC-based sextet PLANET JAZZ, which released In Orbit. Tower Records praised Ellis' writing in a CD review, noting that "Ellis' tunes, while reflective of his dark humor, combine true originality with plenty of swing and provide a rich harmonic underpinning for the band's tremendous soloists to stretch out...”
 
 
THE NOVA MOB did manage one bar gig. The group walked down to the bar wearing funny clothes all set to perform. The club owner took one look at us and shook his head. We were not allowed to play. Such were the times.
 

We did manage to record a fair amount of casual sessions over the summer, which may find the light of day, someday. Note: Some of the compositions in this Cuneiform collection were composed at that time.


listen to the track "Looking Down at the Ground at This and That" on Soundcloud:

Moving back to Michigan in fall 1974, we attended Thomas Jefferson College; a part of the Grand Valley State Colleges in the Grand Rapids area. There we formed the short-lived FOURTH WORLD QUARTET with brother Roger Miller in 1975. Compositions began to take on a more sophisticated tone. Roger soon left and was replaced by composition teacher Denman Maroney.
 
As Denman Maroney recalls:
“Fresh from getting an MFA at Cal. Inst. of the Arts, I spent the academic year 1974-75 teaching at Thomas Jefferson College in Allendale MI. Among my students were Roger, Ben, and Laurence Miller. We made a lot of music together, especially after Roger quit the Fourth World Quartet, and I took his place. We even went to New York together for a week to see the New York Philharmonic under Pierre Boulez celebrate Charles Ives' hundredth birthday. Cushion concerts, they were called, because the first twenty or so rows of seats had been replaced with cushions in an effort to attract young people to classical music concerts. I haven't seen Laurence since then, but have worked with Ben several times in New York, most notably on our duo album Exophilia – available on both our Bandcamp sites.”
– Denman Maroney – 2023
 
CD collections from both incarnations of THE FOURTH WORLD QUARTET were released nearly five decades later on Cuneiform Records in 2021/22 respectively, meeting rave reviews.

~ ~ ~
 
Laurence continued school on his own in the fall of 1975 with hopes of forming yet another creative music band but nothing substantial came of it. By early 1976 Laurence threw in the towel and moved back home to Ann Arbor. There he hooked up with his two brothers again, this time on a creative journey with musical friends forming the dada-noise-rock of EMPOOL. This mad concoction dissolved spring 1977 into Cary & Niagara’s DESTROY ALL MONSTERS and the rest is history.
 
 
Always pushing the envelope, the music of our youth veered far from the mainstream. The last echoing cries of the '60's Revolution had long since died, and what little counter culture was left had now became nothing short of a disturbing fashion. The Bee Gees soon took center stage, now as the Kings of Disco, and even Hillbillies were smoking pot and dropping acid.
 
 
We Miller brothers wrote, recorded, and performed original music, regardless of what the future may hold. No one put a gun to our head nor were these class projects or commissioned works. The priority was to document and catalog on analogue tape, with fingers always hovering just above the record button begging to be pushed. “Is it on....?" was our catch phrase of the 70's.
 
 
Many of these compositions were written out and can still be performed today. Others are comprised simply of ‘heads’, short bits of angular melody with areas of improvisation illustrated only with hallucinogenic pictographs to help the player along in their interpretation.
 
This year Laurence and Ben have both formed new groups. THE 11th HOUR QUARTET and SENSORIUM SAXOPHONE ORCHESTRA with Ben at the helm for both, and Laurence’s TINN PARROW and his CLAPFOLD PLATUNE sporting many of his compositions on this collection. 

listen / buy at Bandcamp:
CREDITS:
Ben Miller: alto saxophone, C-tenor saxophone, archtop guitar, bass, voice, maracas
Laurence Miller: Bb clarinet, drums
Mike List: tablas

1 thru 12 composed by Ben Miller
13 thru 30 composed by Laurence Miller
______________________________________________

Recorded at Midvale Musique, Ypsilanti, Michigan, December 2022 thru April 2023.
COMING OUT JULY 28, 2023:
 
Bio information: PICCHIO DAL POZZO
Title: : IN CAMPORELLA (Cuneiform Rune 3365)
Format: DIGITAL
Label: CUNEIFORM RECORDS
Release date: JULY 28, 2023
FILE UNDER: IMPROVISATIONAL ROCK / AVANT PROGRESSIVE /  POST JAZZ
 

Live improvised recordings from Italian progressive rock legends, Picchio dal Pozzo. 

listen to “Pugni Chiusi" from In Camporella on Soundcloud:


Picchio dal Pozzo's Paolo Griguolo relays the origins of this release, In Camporella:

"A few months before the COVID-19 2020 lockdown I received a CD labelled ‘Valdapozzo 05/30/2004’, from an unknown sender. Thinking it over, it came to me..., yes! On that day we had performed a unique gig at Valdapozzo, the location where we had recorded the [studio] CD ‘Pic_nic@Valdapozzo’ just two years before.

My first impression had been that of a great performance, though, actually, it sounded like a total mess.

The rules of engagement for this gig were total improvisation based on the audio samples of Demetrio Stratos’ voice and some sequences of the album.

For musicians, and not only for them, two years of lockdown meant the smoke of hundreds of cigarettes blown inside empty pockets.

So, instead of playing Tetris, I resolved to edit the sound of the stereo tracks by fragmenting them into frequency bands, and remixing the whole lot to a new sound.

This is the result, perhaps not a masterpiece, but passionately reworked."
– Paolo Griguolo, 2023

listen / buy on Bandcamp:


CREDITS:
Aldo de Scalzi: keyboards - sampler - programming
Aldo di Marco: drums - sampler - ‘tools’
Paolo Griguolo: guitars - synthguitar
Claudio Lugo: curved soprano sax - sampler

recorded live on May 30, 2004 at Valdapozzo, Italy.

COMING OUT JULY 28, 2023:

RASCAL REPORTERS

THE STRAINGE CASE OF STEVE


Bio information: RASCAL REPORTERS
Title: : THE STRAINGE CASE OF STEVE (Cuneiform Rune 3367)
Format: DIGITAL
Label: CUNEIFORM RECORDS
Release date: JULY 28, 2023
FILE UNDER: AVANT PROGRESSIVE /  POST ROCK
 
The StraInge Case of Steve is the eighth recording - and first Cuneiform Records release - from the avant-garde progressive rock group Rascal Reporters. The album's title is a play on the names of the two musicians now behind the Rascal Reporters: Steve Kretzmer and James Strain 

listen to the track “I Cry Crimes” on Soundcloud:

The Strainge Case of Steve is the latest offering from the avant-garde progressive rock duo Rascal Reporters, currently comprised of Steve Kretzmer and James Strain. The album features 16 tracks of eclectic, inventive and adventurous music that showcases the Reporters’ compositional dexterity and idiosyncratic creativity.

The album heralds a new chapter of the Rascal Reporters' long and prolific career, which spans over four decades and (now) eight studio albums. The band was founded in 1974 by high-school friends Steve Gore and Steve Kretzmer in Oak Park, Michigan. Inspired by progressive rock giants like Frank Zappa, Gentle Giant, Henry Cow and King Crimson - along with the then-burgeoning Rock-In-Opposition & Canterbury scenes in prog - they recorded hundreds of songs in their basement studio throughout the 70s and 80s using an array of instruments, tape recorders and synthesizers.

The Rascal Reporters developed a unique style that combined complex compositions, quirky melodies, odd time signatures, humorous lyrics and experimental sounds. They gained a cult following among deep-diving crate-digging progressive rock fans around the world for their originality and eccentricity.

The Strainge Case of Steve is their eighth studio album and heralds the full return of group founder Steve Kretzmer who had taken a step back from composition after 1995’s Purple Entrapment. It is also their first to feature James Strain as a full-time member. Strain joined the band in 2019 and completed the group’s first new release in some years: Redux Vol. 1, followed by Vol. 2 in 2021, a semi-archival series which featured up-cycled versions of lost compositions with new arrangements and overdubs from Strain. The album was well-received by critics and fans alike for its fresh spin on the classic Reporters DNA. Strain shares writing, performing and production duties with Kretzmer on this new album.

The album was recorded between 2017 and 2023 at Kretzmer & Strain's home studios in Michigan, USA & Carlow, Ireland respectively. It features guest appearances from returning favourites and members of classic avant prog groups such as long time collaborator Dave Newhouse (The Muffins, Manna/Mirage) and Guy Segers (Univers Zero), along with members of some of today’s most exciting new groups such as Jessica Martin Maresco (Pili Coit, Le Grand Sbam) and Dario D'Allessando (Homunculus Res). 

listen / buy on Bandcamp:
CREDITS:
Steve Kretzmer: organ
Guy Segers: bass
Dave Newhouse: horns, woodwinds
Dario D’Allessandro: guitars, synths
Kimara Sajn: additional bass
James Strain: drums
 OUT NOW !!!

released JUNE 30, 2023 on


CUNEIFORM RECORDS:


LOCATION LOCATION LOCATION

DAMAGED GOODS


Bio information: LOCATION LOCATION LOCATION
Title: : DAMAGED GOODS (Cuneiform Rune 518)
Format: CD / DIGITAL
Release Date: June 30, 2023
Label: CUNEIFORM RECORDS
FILE UNDER: JAZZ


Listening to Location Location Location’s debut, “Damaged Goods”,
it would be so easy to get the wrong impression of where Anthony Pirog, Michael Formanek and Mike Pride's session was born ...





listen/share on Soundcloud: "Verdigris" from
LOCATION LOCATION LOCATION'S DAMAGED GOODS


Listen to Location, Location, Location’s debut, Damaged Goods, and it’s easy to visualize the three musicians sweating it out in the recording studio, locking in on a groove and just jamming. With, it should be noted, occasional breaks to contemplate the basics, then add subtle overdubs: some bit-crunched guitar here, a marimba there, perhaps a harmonized line or a spacey reverb effect. But essentially live, essentially just three guys in a room, giving their all.
 
But that’s not how it went down at all.
 
Recorded during the darkest days of Covid-19, Damaged Goods is actually the ultimate pandemic project. Not only were guitarist Anthony Pirog, bassist Michael Formanek, and drummer Mike Pride safely socially distant during the recording project, two of them have not yet met in the flesh.
 
Nonetheless, Location, Location, Location is a band.
 
“I think that’s probably just our personalities, the way that we work, and the way that we wanted to hear it,” explains the Virginia-raised Pirog, who was living in Monterey, California during the sessions. With Pride and Formanek on the East Coast, and getting together not in the cards, the three made Damaged Goods by sending sound files and audio notes back and forth while trusting the others to do their best.
 
“The whole thing was pretty new,” Pirog continues. “I was really excited because I’m a fan of both of their work, both composing and playing. So that was a big thing to deal with in terms of ‘What are you getting from the piece to react to? Are you initiating the piece? How do you supply that and have it be something that people can add sound to?’ 
 
“But when I sat down to record, it wasn’t like I composed my parts. I’d press ‘play’, and I’d react to things as I heard them. So it wasn’t that hard, actually, as long as I didn’t get into pop-overdubbing mode and hyper-fixate on things under the microscope.”
 
It’s obvious that both Formanek and Pride were on the same page. “Improvising like this definitely presents a set of potential challenges,” says the bassist. “But I’ve got to say that in this project I never felt that anything was stifled at all, or disconnected. When I would hear something from Mike or Anthony it just immediately gave me thoughts about what to do. In most cases I’d just dive in there pretty fast. The initial ideas were mostly pretty quick, pretty immediate. So in a weird way it didn’t feel like we weren’t improvising in real time, if that makes any sense. Which was a little surprising to me!”
 
“Everybody listened really deeply, and nobody tried to put a certain personality on it,” Pride says. “We were just experimenting, and then at the end we liked what we had, and we had a record.”
 
A very fine record, it should be mentioned. 


listen / buy DAMAGED GOODS on Bandcamp


CREDITS:

ANTHONY PIROG: guitar, guitar synth, synthesizers
MICHAEL FORMANEK: bass and electric bass
MIKE PRIDE: drums, marimba, dub

Michael Formanek recorded at Outlier Sound, West Orange, NJ by Michael Formanek.

Mike Pride recorded at Farming Studios, Chester, NY by Mike Pride.

Anthony Pirog recorded at Anthony's Room Studio, Monterey, CA; San Francisco, CA;
and Silver Spring, MD by Anthony Pirog.

! SNEAK PEEKS !

DIGITAL RELEASES

COMING OUT AUGUST 25, 2023


ON

CUNEIFORM RECORDS:


(Kawahara's synthesis of synthesizers and guitars, experimental electronics with mysticism was unique of later 20th century Japan. His digital releases on Cuneiform include an album featuring Kawahara with German electronic musician Peter Frohmader )  

Cuneiform is reissuing the entire catalog of Hiro Kawahara’s Heretic catalog, in addition to releasing several unreleased works. Multi-instrumentalist Kawarah's band Heretic was a 1980s and 1990s underground Japanese electronic band featuring synths and guitar.

Cuneiform is releasing all nine Heretic albums, as well as a "digital box" that has all nine albums bundled together.  All of these albums are either previously unreleased or have bonus tracks. 

The albums are: 

Heretic – 1984-1988 (Cuneiform Rune 3373)
Heretic – Yayoi Dream (Cuneiform Rune 3374)
Heretic – Interface (Cuneiform Rune 3375)
Heretic – Drugging For M (Cuneiform Rune 3376)
Heretic – Past In Future (Cuneiform Rune 3377)
Heretic – Escape Sequence (Cuneiform Rune 3378)
Hiro Kawahara and Peter Frohmader (Cuneiform Rune 3379)
Hiro Kawahara / Heretic – Requiem (Cuneiform Rune 3380)
Heretic – Live Kyoto '85 and Tokyo '88 (Cuneiform Rune 3381)
Hiro Kawahara – Complete Works (Cuneiform Rune 3382)

Listen to previews of some excerpts:

listen to "Excerpts from Past in Future" from Heretic's Past in Future



listen to "Excerpts from Requiem" from Heretic's Requiem




listen to "Excerpts from Yayoi Dream" from Heretic's Yayoi Dream




listen to "Excerpts from Escape Sequence" from Heretic's Escape Sequence




listen to "Excerpts from Live Kyoto '85 and Tokyo '88" from Heretic's Live Kyoto '85 and Tokyo '88




listen to "Excerpts from 1998" from Hiro Kawahara and Peter Frohmader's 1998




listen to "Excerpts from Drugging For M" from Heretic's Drugging For M




listen to "Excerpts from 1984-1988" from Heretic's 1984-1988




listen to "Excerpts from Interface" from Heretic's Interface

SNEAK PEEKS OF DISTANT TREASURES
 
COMING OUT IN LATE 2023 AND 2024 ON CUNEIFORM RECORDS
(Listed in alphabetical order. Sound samples to come out in future newsletters)
 
~~~~~
AHLEUCHATISTAS – LIVE 2006 
(live recordings by fiery Southern avant-rock/ post-punk guitar/drums duo) [USA]

~~~~~
CURLEW 
(three digital releases of previously unreleased live recordings by Downtown-NY-Sound legends) [USA]

~~~~~
FRENCH TV – FTV: 15 - A GHASTLY STATE OF AFFAIRS
(new studio release by Mike Sary's longstanding fusion/avant-progressive band from Louisville, KY) [USA]

~~~~~
GHOST RHYTHMSMISSING TIMES 
(new studio album by young French avant progressive ensemble [FRANCE]

~~~~~
I.P.A.GRIMSTA
(Scandinavian jazz quintet release a 3rd album for Cuneiform)  [NORWAY]

~~~~~
JACK O'THE CLOCKTHE WARM, DARK CIRCUS
 (Second Cuneiform release by the group Fred Frith called, "One of the most original and compelling groups I know ...amazing compositions …making all the things you've always thought of as difficult sound as effortless and natural as breathing…” [USA]

~~~~~
JANEL & ANTHONY – EVIL AGE 
(new studio album by reknowned DC/Silver Spring-based cello/guitar/electronics beyond-genre duo, Janel Leppin & Anthony Pirog) [USA]


~~~~~
PRESENTTHIS IS NOT THE END 
(studio recordings made by Present, composer Roger Trigaux's longstanding band, of music the legendary chamber rock/ avant progressive composer was making for Cuneiform at the time of his 2021 death  [BELGIUM]
 
~~~~~~
 RADIO MASSACRE INTERNATIONAL – GALACTIC FURNACE 
(new double album by longstanding prolific UK electronic trio) [UK]

~~~~~
TOMEKA REID QUARTET 
(new studio album by composer/cellist Reid's jazz all-star quartet with guitarist Mary Halvorson/ drummer Tomas Fujiwara/ bassist Jason Roebke) [USA]
 

CUNEIFORM ARTISTS ON TOUR

2023 CALENDAR

IMPORTANT COVID REMINDER:
In an evolving (and now endemic) COVID-19 world, these dates are ALL tentative. Please check with venues, close to the concert date, to confirm. We're ecstatic that live concerts are happening worldwide, but we remain aware that emergent variants - as well as severe weather - can unexpectedly affect schedules.

See also the Tours Page at Cuneiform Records.

 

A LIGHT SLEEPER

“…not quite rock, not quite jazz, not quite worth labeling, but most certainly worth hearing.” — smilepolitely.com

_______________________________


August 6 - The Hideout - 1354 West Wabansia Ave, Chicago, IL 60642 [album release show!]

August 28 - tbd - Fort Wayne, IN

August 29 - The Lodge - 231 6th Avenue - Dayton, KY

August 30 - tbd - Pittsburgh, PA

August 31 - tbd - Baltimore, MD

September 1 - tbd - Richmond, VA

September 3 - ProgDay - Chapel Hill, NC

 
Listen to & Buy:  Equaiverpoise

    

 

BIRDSONGS OF THE MESOZOIC

“'...fantastically innovative music.'' - Exposé

''Birdsongs Of The Mesozoic has found a common ground among garage band rock, classical, minimalism, UK progressive rock, and it's own favorite noises.'' - The New York Times

_______________________________



July 19 - David Friend Hall - Berklee College of Music - 1140 Boylston St - Boston, MA 02215 [first gig in SIX years!]

 
Listen to/ buy Birdsongs of the Mesozoic on Cuneiform

Dawn of the Cycads, The Complete Ace of Heart's Recordings (1983-1987)


The Fossil Record 1980-87 //  Dancing on A'A
.     

Pyroclastics // Faultline
     

The Iridium Controversy //  2001 Live Birds,
 .    

Birdsongs of the Mesozoic with Oral Moses
Extreme Spirituals
    

CHEER–ACCIDENT

"...one of the most impressive concerts I saw was the Dragon Drop/Cheer Accident/Free Salamander Exhibit show in Indianapolis. ...Cheer Accident blew me away... The music was innovative and powerful and brave and everything I’d hoped it would be."Proglodytes

"Cheer-Accident are the quintessential Chicago post-rock band... They've been exploring head-scratching, creatively fucked-up time signatures and sideways guitar shenanigans for 20 years now, leaving a pronounced influence on the Windy City's art-rock scene. Their playful musical approach is a ripe aesthetic of absurdist humor."
– Pitchfork

_______________________________


July 19 - Healer - Indianapolis, IN

July 20 - The Government Center - Pittsburgh, PA

July 21 - The Rotunda - Philadelphia, PA

July 22 - July 22 - C’Mon Everybody! - NYC, NY [early start: 7:00 pm]

July 23 - tba - Providence, RI

July 24 - State Park - Boston, MA

July 25 - Tubby's - Kingston, NY

July 26 - tba - Cleveland, OH

July 27 - Ziggy's - Ypsilanti, MI

July 28 - Martyrs - Chicago, IL

March 13 - tba - Chicago, IL [opening for Sleepytime Gorilla Museum]
 
Listen to & buy 
Chicago XXPutting Off Death
       
No Ifs, Ands or DogsFear Draws Misfortune 
   

"Tons of weird rock records have streamed out of Chicago over the past two decades, but none have blended pop smarts and avant-garde impulses as skillfully as this marvelous brainteaser..."
– Time Out New York

THE FOURTH WORLD QUARTET

"The resulting...sessions, collected here for the first time, reveal how the amalgam of volatile styles the brothers ingested during their varous sonic encounters fused together and caught fire...Although The Fourth World Quartet was a short-lived project, this remarkable discovery reveals a group who were knocking over some serious creative barriers."
– Edwin Pouncey / Jazzwise 

_______________________________

THE FOURTH WORLD QUARTET'S FIRST SHOWS IN NEARLY 50 YEARS!!!!!!!!!

September 29 - Zal Gaz Grotto No. 34 - 2070 W Stadium Blvd - Ann Arbor, MI 48103

September 30 - Trisophenes - 1464 Gratiot Ave - Detroit, MI

 
Listen to & buy:  1975  //  GRAND BLAND VAPID RAPIDS

    
 

 

GHOST RHYTHMS

"The music here walks a wide loop around Soft Machine and Magma, Univers Zero and Henry Cow, Miles Davis and Miriodor, Van Der Graaf Generator and Art Zoyd. It's impeccably assembled and played, while freely indulging the more insane aspects of progressive rock, avant-garde chamber music, and electric jazz....Despite the musical sophistication and adventure on Live at Yoshiwara, this music is extremely accessible to a wide swathe of listeners. Its release signals the magnificent arrival of Ghost Rhythms on American shores. Get it now." – AllMusic
_______________________________


September 7 - La Dame de Canton - Porte de la Gare - Paris, France
 

Listen to & buy:  Spectral Music  //  Live at Yoshiwara

    

JANEL LEPPIN

A composer and cellist who’s honed a singular synthesis of composition, orchestration and improvisation, Janel Leppin is one of DC's leading avant-music stars. Besides performing as half of the experimental duo Janel and Anthony, which she co-leads with her husband guitarist Anthony Pirog, she leads the seven-piece chamber-jazz Ensemble Volcanic Ash, as well as performing and recording with other jazz, rock, and experimental  groups. 

"An Absolute Virtuoso - 4 Stars" - Downbeat Magazine

"Leppin is a rarity..ahhh-vant garde at its finest." - Capital Bop



August 7 - Rhizome DC - 6950 Maple St. NW - Washington, DC
 


 

Listen to & buy:
Janel Leppin Ensemble Volcanic Ash


Janel & Anthony, Where Is Home

 

HENRY KAISER

Grammy winner Henry Kaiser is widely recognized as one of the most creative and innovative guitarists, improvisers, and producers in the fields of rock, jazz, world, and contemporary experimental musics.
––––––––––––––––––––––––––––––––

THE HENRY KAISER MONTHLY SOLO SERIES, presented exclusively on the CUNEIFORM RECORDS YouTube Channel

 When Covid pandemic lockdowns began in 2020, Henry Kaiser began curating & presenting a weekly series of pre-recorded music videos exclusively on Cuneiform's YouTube Channel for music lovers isolating at home. These "live" concerts are taped beforehand and not streamed - Henry discusses the process in a Guitar Moderne interview, "The New "Live"".  Many videos in the series depict duets and larger bands, despite the program being called the "Henry Kaiser Weekly Solo Series".  While many depict new or recent performances, other videos in this series are vintage footage of performances not available elsewhere (The Valentines' 1994 concert in the Fukuoka Dome).

The series converted to a monthly format after lockdowns began to lift in April 2021, and two years later, converted to a quarterly release schedule.  All 52 videos from the Henry Kaiser's Weekly Series, the entire two year Monthly Series and all current quarterly videos are archived & available on Cuneiform's YouTube Channel.  In June 2023, the video series will convert to a quarterly format.

We invite you to visit and follow Cuneiform Record's YouTube Channel to see the videos that Henry regularly presents. The March 1, 2023 video is HENRY KAISER SHOW #24 - T
he final monthly before the HK series went quarterly. It covers music by Alan Holdsworth, Randy Newman, Robert Hunter, Obray Ramsey. Plus Improvs. Guests: Anthony Pirog, Andy West, Ed Pettersen, Ramon Goose, Bob Bralove, Jody Stecher, & Bill Walker.


Most recently, in addition to his video series, Kaiser occasionally presents special videos:  some focusing on current events and guitar legends, and some providing free guitar lessons, focusing on tunes associated with legendary guitarists. His September 2022 guitar lesson video, focusing on the whole tone scale and Sonny Sharrock, is titled The Whole Tone Scale! Sonny Sharrock’s DICK DOGS lesson with Henry Kaiser.

Besides his work as a musician, Kaiser is also a scientific diver and underwater videographer in the U.S. Antarctic program. Several of his Solo Series videos on the Cuneiform channel feature Henry's stunning underwater videography in addition to his guitar playing, as in this stunning video from May 2020:  HENRY KAISER : Cuneiform Weekly Solo #2 : Under The Ice Again .

Because all videos are archived on the Cuneiform Records' YouTube Channel, you can watch anything in the series at any time.
 


Listen to & buy:
Albums by Henry Kaiser & Friends  on Cuneiform


A Love Supreme Electric [Vinny Golia / John Hanrahan / Henry Kaiser / Wayne Peet / Mike Watt]:
A Love Supreme Electric: A Love Supreme and Meditations 



Yo Miles!: Henry Kaiser & Wadada Leo Smith: Sky Garden & Upriver
   

Five Times Surprise [Henry Kaiser / Anthony Pirog / Tracy Silverman / Jeff Sipe / Andy West]: 
Five Times Surprise



Henry Kaiser & Ray Russell: 
The Celestial Squid



Henry Kaiser: Lemon Fish Tweezer;
Fred Frith & Henry Kaiser: Friends & Enemies 

  

Healing Force [Vinny Golia • Aurora Josephson • Henry Kaiser • Mike Keneally • Joe Morris • Damon Smith • Weasel Walter]:
Healing Force:  The Songs of Albert Ayler        
     
       

V.A.: 156 Strings: Nineteen Totally Original Acoustic Guitarists

ROGER CLARK MILLER

Roger Clark Miller is a guitarist, pianist, bassist, composer, singer, percussionist and occasional cornet player. His career officially began in 1979 when he co-founded the influential post-punk band Mission of Burma on guitar and vocals. He formed Birdsongs of the Mesozoic on piano in 1981, and from 1983-1989 he began his Maximum Electric Piano work. Miller joined the Alloy Orchestra in 1998 - "the best [orchestra] in the world at accompanying silent film" says Roger Ebert – which continues today as The Anvil Orchestra. He recently released new solo looping-based music on Cuneiform - Dream Interpretations for Solo Electric Guitar Ensemble..

Boston Globe: "Less a recital than a musical minefield... Miller is a man in constant motion, a one-man symphony."
 


Roger C. Miller solo:

July 29 - Dream Interpretations for Solo Electric Guitar Ensemble: Bang on a Can’s “LOUD WEEKEND” at MassMoCA - North Adams, MA

August 19 - Solo Silent Film Accompaniment to “The Signal Tower”-  Knoxville, TN.

August 20- a solo “Unplugged” show associated with the Aug.19 event - Knoxville, TN

~ ~ ~

Roger C. Miller featured with The Anvil Orchestra:

August 22 - [featured with THE ANVIL ORCHESTRA] -  Somerville Theater - Somerville, MA

September 6 - [featured with THE ANVIL ORCHESTRA]  - Coolidge Corner Theater - Brookline, MA



Listen to & buy:
Roger Clark Miller, Eight Dream Interpretations for Electric Guitar Ensemble
    

Birdsongs of the Mesozoic
Dawn of the Cycads, The Fossil Record
     

The Fourth World Quartet, 1975

THE ED PALERMO BIG BAND

"Twenty-first century big-band music doesn’t get more exciting
and impressive than this."
– Jazz Times

An astounding 18 piece jazz ensemble of five woodwind players, four trumpeters, three trombonists, two keyboardists, guitar, violin, bass and drums, led by arranger, composer & saxophonist Ed Palermo, one of America's most singular arrangers who draws on jazz, pop and rock tunes for his top-notch band. There are a number of ensembles performing the music of Frank Zappa, one of the greatest American composers of the 20th century, but no one does it with the ease, skill and originality that Ed and his band do!
––––––––––––––––––––––––––––––––
Don't miss seeing the ED PALERMO BIG BAND live!  Their shows often sell out, so buy your tickets in advance.
~~~~

August 26 - The Falcon - 1348 Rte 9W - Marlboro, NY 12542

October 28 - The Falcon - 1348 Rte 9W - Marlboro, NY 12542

December 23 - The Falcon - 1348 Rte 9W - Marlboro, NY 12542

 

Listen to & buy
Ed Palermo Big Band albums on Cuneiform:

The Adventures of Zoyd Zundgren //
The Great Un-American Songbook Vols. 1&2  //
One Child Left Behind //

Oh No! Not Jazz!!  //
Eddy Loves Frank. // 
Take Your Clothes Off When You Dance

               

 

RICHARD PINHAS

One of France's major experimental musicians and a key figure in the development of electronic rock via his group Heldon and solo projects, guitarist and electronic musician Richard Pinhas tours the U.S.A. and Mexico in Fall 2023. Check back for venue updates.

__________________________

September 8 - Brillo Box - Pittsburgh, PA

September 9 - tba - Chicago, IL

September 10 - Turf Club - Minneapolis, MN

September 11 - tba - Milwaukee, WI

September 12 - tba - Grand Rapids, MI

September 13 - tba - Detroit, MI

September 14 - Rhizome - Washington, DC

Sepember 15 - tba - Philadelphia, PA

September 16 - Ambient Church - NYC, NY

September 18 - The Crown - Baltimore, MD



Listen to & buy releases by Richard Pinhas & friends on Cuneiform:

Richard Pinhas: Process and RealityDesolation RowMetatronMetal/CrystalTranzitionEvent & Repetitions

                    

Richard Pinhas & Barry Cleveland: Mu 


Richard Pinhas & Oren Ambarchi: Tikkun
 

 Richard Pinhas & Merzbow:  Keio LineRhizomeParis 2008
   
      

Richard Pinhas & Yoshida TatsuyaWelcome in the Void
  

Schizotrope (Richard Pinhas & Maurice Dantec)The Life & Death of Marie Zorn

 

ANTHONY PIROG

"[Palo Colorado Dream] covers a sprawling musical terrain–avant jazz, atmospheric soundscapes, earthy Americana, math-rock...with an arsenal of effects hardware and studio production techniques..."
– JazzTimes


"One of jazz’s most reliable conduits to a living, breathing audience is electric-guitar heroism, and Anthony Pirog, from Washington...seems poised to become a hero of the instrument."
– The New York Times

________________________________

Anthony Pirog [featured with THE MESSTHETICS]:

July 31 - Fort Reno Park - 4000 Chesapeake St NW - Washington, DC

September 8 - Black Cat - 1811 14th St, NW - Washington, DC


 

Listen to & buy:
Anthony Pirog:
Pocket Poem; Palo Colorado Dream

.      

Janel & Anthony, Where Is Home

    
in other groupings:
Five Times Surprise


The Spellcasters, Music from the Anacostia Delta

 

Janel Leppin Ensemble Volcanic Ash

RADIO MASSACRE INTERNATIONAL

UK electronic ensemble Radio Massacre International bring "Berlin School electronics" into the 21st  century and onto the live stage. The longstanding improvisational synth & electronics trio has released dozens of recordings - including 3 on Cuneiform – and mesmerized festival audiences worldwide.
 

October 21 - Awakenings Festival - Lea Hall Pavillion - Sandy Lane, Rugely, Staffs - WS15 2LB, UK
 

Listen to & buy:
Time & Motion, Rain Falls in GreyEmissaries
     

 

TOMEKA REID QUARTET


2022 MacArthur Award winning cellist Tomeka Reid's all-star Quartet  (Jason Roebke-bass,Tomas Fujiwara-drums, 2019 MacArthur Award recipient Mary Halvorson-guitar, Reid-cello) plays new material while also celebrating Old New, its second release and first on Cuneiform Records. Both accessible and adventurous, Old New became a critically acclaimed 2019 jazz favorite, reviewed in numerous publications and featured on Best of Year lists worldwide!

August 19 - The Stone - 55 West 13th St - NYC, NY


 

Listen to & buy:
Old New

RAY RUSSELL

"Like contemporaries Sonny Sharrock and Terje Rypdal, Russell makes it sound as if the guitar is not enough, as if he's reaching for something wilder, something that can't be contained within the 6 string cage" - Jim O'Rourke

_____________________________

July  29 -  The Eastbourne Jazz & Blues Festival - Western Lawns, Eastbourne, UK


Listen to & buy:
Ray Russell:
Fluid Architecture // Secret Asylum  // Goodbye Svengali
     




Ray Russell & Henry Kaiser:
The Celestial Squid

      
“Russell isn’t merely a fine jazz player, but a truly original music thinker and an improvisational force to be reckoned with.” 
– AllMusic Guide

SCHNELLERTOLLERMEIER

"The Best Music of 2015: A Banner Year for the Bold: …here are a dozen albums released in 2015 that I savored repeatedly for their musicality, clarity of statement and courage. …“X” by Schnellertollermeier marries brutality to avant-garde rock and jazz. A classic power trio from Switzerland, the band plays with punk fury and dazzling technical dexterity to create booming, bone-rattling music that stalks, confronts and astonishes.”
The Wall Street Journal

Schnellertollermeier's clear-cut approach burns itself into one's memory; audiences who have seen the trio (bassist Andi Schnellmann/ guitarist ManuelTroller / 
percussionist David Meier) live describe their music as “stunning”, “minimalist”, “brutal”, “decisive”, “monumental”, “angry”, “controlled”, “captivating” or “radical”.  Simply fantastic.


_____________________________


August 10 - Rock Altitude Festival - Piscine du Communal - Rte du Communal 3 - Le Locle, Switzerland
 



Listen to & buy:
5 //  Rights //  X
     
      
  
To set up press and radio interviews with Cuneiform Artists while on tour or at home, please contact:

promo@cuneiformrecords.com
 
IT'S SUMMER TIME!


WE INVITE YOU TO VISIT



MUSIC & VIDEOS ONLINE !
 

CUNEIFORM RECORDS has a treasure chest of interesting music to serve as soundtrack, inspiration and solace during these evolving and challenging times. Our mammoth catalogue of over 500 releases by artists from around the world includes many of avant music's most esteemed icons as well as young rising stars, and is available for purchase in digital and physical formats at the CUNEIFORM RECORDS BANDCAMP store, and in physical formats at one of our sister companies, WAYSIDE MUSIC as well as in RECORD SHOPS worldwide (see our DISTRIBUTORS).  Your purchases of our CDs, LPs, and digital downloads supports or indie musicians, indie labels, and small businesses. 
 

VISIT the official CUNEIFORM RECORDS WEBSITE  for extensive information on the artists and recordings on our label,  upcoming concerts & much more.  

• WATCH VIDEOS on Cuneiform Records' YOUTUBE CHANNEL
Cuneiform Records has an extremely active YouTube Channel which you should bookmark as a favorite:  free music videos, videos of live shows, & samples from 500+ adventurous releases!   And we began expanding our video content during the pandemic, most notably with an ongoing video series curated  and produced by guitarist Henry Kaiser. 

• PURCHASE & LISTEN to releases on CUNEIFORM RECORDS BANDCAMP PAGE 
Discover new music on our Bandcamp Page, and support artists & our indie label by purchasing music.  

• PURCHASE music from100s of LABELS from around the world at  
WAYSIDE MUSICour sister store.  At our internet store, WaysideMusic.com (established in 1980!), you can purchase hard-to-find CDs and LPs from ALL your favorite labels! 

• ENJOY and SHARE SAMPLES of music by releases of countless Cuneiform artists on the Cuneiform Records' SoundCloud Site.

• VISIT, LIKE & FOLLOW  Cuneiform Records' Official FACEBOOK PAGE. 

• JOIN the Cuneiform Records FACEBOOK GROUP:  FANS Of Cuneiform Records

 FOLLOW @CuneiformRecord onTWITTER


• LICENSE music from Cuneiform for movies, ads etc via our sister site TheMusicOutpost.com.

SIGN UP for the CUNEIFORM RECORDS NEWSLETTER if you're not already one of our subscribers, and  get BOTH this monthly newsletter in your email box AND receive notices for Cuneiform's weekly "$5 Friday" offers – Cuneiform selects a special album from its archive each weekend,  to be sold in download format via Bandcamp, that weekend only,  for half price.
• VISIT our TOURS PAGE for upcoming concerts WORLDWIDE by our artists.
 
ACCESS PRIOR ISSUES of the CUNEIFORM RECORDS MONTHLY NEWSLETTER at cuneiformrecord.blogspot.com/     Cuneiform Records' Monthly Newsletter announces and gives in-depth info on ALL of the label's NEW RELEASES - both physical and digital formats - and also provides TOUR / CONCERT info from its artists.
 
CUNEIFORM RECORDS SOCIAL ONLINE
Cuneiform YouTube
Cuneiform YouTube
Cuneiform Website
Cuneiform Website
Facebook FanGroup
Facebook FanGroup
Facebook Page
Facebook Page
Cuneiform Twitter
Cuneiform Twitter
Cuneiform SoundCloud
Cuneiform SoundCloud
Cuneiform Bandcamp
Cuneiform Bandcamp
Instagram
Instagram
Email Cuneiform
Email Cuneiform

Cuneiform Records' Monthly Newsletter is compiled by Joyce [Nalewajk] Feigenbaum,
Copyright © *|CURRENT_YEAR|* Cuneiform Records, All rights reserved.
 
Washington, DC // Silver Spring, MD

Our mailing address is:
Cuneiform Records
P.O. Box 8427
Silver Spring, MD 20907

Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list.

Was this email forwarded to you from a friend?
Subscribe to the Cuneiform Records Newsletter.


Read this email online