Thursday, June 2, 2016

Boston-Based Art-Rockers, Bent Knee, Embark on Spring/Summer 2016 Tour of North America and Europe

Boston-Based Art-Rockers
- Bent Knee -
Embark on Spring/Summer 2016 Tour of
North America and Europe Celebrating
their Cuneiform debut,
Say So,
a World-Class Album
Brimming with Catchy, Captivating Songs
That Channel the Best from Rock’s Spectrum,
from Pop to the Avant Garde


[Bent Knee | photo credit: Chris Anderson]

// BENT KNEE - TOUR DATES: 2016 //



June 2
8PM
USA Empire
575 Congress St
Portland, ME 04101
June 4
8PM
USA Lyric Hall
827 Whalley Ave
New Haven, CT 06515
June 5
8PM
USA News Cafe
43 Broad St
Pawtucket, RI 02860
June 8
8PM
USA Bube’s Brewery
102 N Market St
Mount Joy, PA 17552
June 9
11PM
USA The Bowery Electric
327 Bowery
NYC, NY 10003
June 10
8PM
USA private concert
Worcester, OH
[contact band for details]
June 11
8PM
USA Louie’s Back Room
629 Walbridge St
Kalamazoo, MI 49007
June 12
9PM
USA Ladder 11
936 Brown St
Dayton, OH 45409
June 13
9PM
USA miniBar
3810 Broadway
Kansas City, MO 64111
June 16
8PM
USA Elbo Room
647 Valencia St.
San Francisco, CA 94110
June 17
8PM
USA SLG Art Boutiki
44 Race St
San Jose, CA 95126
June 18
9PM
USA Black Forest
50 E 11th Ave
Eugene, OR 97401
June 19
9PM
USA Twilight Cafe
1420 SE Powell Blvd
Portland, Oregon 97202
June 20
8PM
USA Victory Lounge
433 Eastlake Ave E
Seattle, WA 98109
June 21
9PM
USA Coo Coo Nest
1017 East 1st St
Port Angeles, WA
June 22
8PM
CANADA The Vault
499 Wallace St
Nanaimo, BC V9R 5B7, Canada
June 25
8PM







June 26
9pm
CANADA








CANADA
Campbell Bay Music Festival
Iredale Farm
327 Campbell Bay Road
Mayne Island, B.C.
Canada

Franklin Studios
1622 Franklin
Vancouver, B.C.
V5L 1P4
July 28 






July 30
GERMANY






ITALY
Burg Herzberg Festival
Hof Huhnstadt
Breitenbach Am Herzberg
Germany
 
La Casa di Alex - Alex Etxea
Via Moncalieri 5, 20162 Milan, Italy


August 4 CZECH REP. Eurocentrum
Jiráskova 9
Jablonec Nad Nisou
46601 
Czech Republic

---



Bent Knee
Say So


Cat. #: Rune 417, Format: CD [8-Panel Digipak] / Digital Download
Genre: Rock / Indie Rock / Art-Rock / Pop / Avant-Progressive

"A welcoming call to music fans who savor the very special. An accusation that there are too many ideas in a work of art is dispelled when they are mostly good ones, as is the case with Bent Knee and 'Say So.'”
-
The Wall Street Journal

"Expansive, genre-exploding avant rock."
- Bandcamp ["New and Notable"]

"...a celebration of creative freedom and unrestricted musicianship... easily one of the best albums of the year."
- Rebel Noise

"Mind boggling... the grandest and subtlest ideas are on the table."
- NPR's The ARTery

"...a record that confirms its eloquence and ebullience, while also breaking new stylistic and temperamental ground."
- The Boston Globe

"Like the best birthday party you’ve had in years."
- Goldmine Magazine


STREAM/SHARE: "Leak Water"
stream: @SoundCloud / @Bandcamp / @YouTube

MUSIC VIDEOS

[WATCH: Bent Knee - Leak Water (Official Video)]


[WATCH: Bent Knee - Black Tar Water (Official Video)]


Say So Track Listing:

1. Black Tar Water (3:29)
2. Leak Water (4:41)
3. Counselor (5:51)
4. Eve (9:12)
5. Transition (0:49)
6. The Things You Love (6:12)
7. Nakami (5:20)
8. Commercial (3:44)
9. Hands Up (5:40)
10. Good Girl (6:39)

Bent Knee
Ben Levin: guitar and vocals
Chris Baum: violin
Courtney Swain: vocals and keyboards
Gavin Wallace-Ailsworth: drums
Jessica Kion: bass and vocals
Vince Welch: synths and sounds

Additional performances by:
Andy Bergman
: alto sax and clarinet
Ben Swartz: cello
Bryan Murphy: trumpet
Geni Skendo: flute and shakuhachi
Geoff Nielsen: trombone
Keith Dickerhofe: cello
Nathan Cohen: violin
Sam Morrison: baritone sax
Rebecca Hallowell: viola

Group vocals for “Counselor” and “The Things You Love”
Alessandra Cugno, Andrew Humphries, Anil Prasad, Celine Ferro, Clint Degan, Curtis Hartshorn, Geni Skendo, James Willetts, Jeri Schibelli, Jessie Vitale, Josh Golberg, Kelsey Devlin, Leilani Roser, Leo Fonseca, Mary Freedlund, Max Freedlund, Michael Vitale, Mike Razo, Miriam Olken, Peter Danilchuk, Rebecca Hallowell, Roland Rotsitaille, Ryan Jackson, Sam Swan, Stephen Humphries, Susan Putnins, Tim Doherty, Toni Schibelli, Tori Bedford

Written and performed by Bent Knee.
Produced and mixed by Vince Welch.
Engineered by Matt Beaudoin at Q Division Sound.
Additional engineering by Chris McLaughlin and Vince Welch.
Assistant engineering by Grace Reader, Griffin Bach, Jamie Rowe, Joel Edinberg, Matt Carlson, Michael Healy, and Steven Xia.

Mastered by Randy Roos at Squam Sound.

Recorded at Q Division Studios, The Record Company, and Converse Rubber Tracks, Boston.

Album art by Greg Bowen.


"Bent Knee's musicianship is superb, with vocals to die for, an interesting new turn at every corner, and never a dull moment. Highly recommended."
- Bill Bruford

"Say So resoundingly demonstrates the increasing refinement and confidence of a group that doesn't quite fit any conventional pigeonhole, with emphatic crunch, a knack for complexity, mixed with lively wit."
- The Boston Globe

"...the new fantastic Bent Knee record... Brilliant! This band will soon be everywhere!"
- Nik Bärtsch

“Intricately woven, surrealist stylings... a potent sense of urgency tingles the air.”
- Consequence of Sound

Bent Knee is a band without frontiers. The Boston-based group seamlessly connects the worlds of rock, pop and the avant-garde into its own self-defining statement. On its Cuneiform debut release Say So, the band focuses on the sound of surprise. It’s rock for the thinking person. The group’s lyrics are dark and infused with themes focusing on the emergence of personal demons, unwanted situations and the difficulty of conquering them. Its mercurial sound matches its subject matter. It’s a thrilling aural roller-coaster ride with arrangements designed to make listeners throw their arms up in wild abandon as they engage with them.

Say So resoundingly demonstrates the increasing refinement and confidence of a group that doesn’t quite fit any conventional pigeonhole, with emphatic crunch, a knack for complexity, mixed with lively wit,” said Steve Smith of The Boston Globe. “Live, the band projects visceral glee, exactingly harmonized and wholly infectious.”

Founded in 2009, Bent Knee is a true collective. The band operates as a democratic entity with sky-high standards and a determination to push boundaries. Frontwoman and keyboardist Courtney Swain’s acrobatic, multi-octave vocals are nothing less than extraordinary. Guitarist Ben Levin morphs between the hauntingly melodic and extreme, dissonant sonics—sometimes within a single verse or passage. Bassist Jessica Kion and drummer Gavin Wallace-Ailsworth deliver deep and thunderous grooves, full of engaging, intriguing ornamentation. Violinist Chris Baum’s driving melodic overlays and atmospheres further take the band’s sound into wild territory. And all of it is brilliantly processed and produced by sound designer Vince Welch.

Bent Knee has remained on a skyward trajectory since forming. Its last two albums, 2014’s Shiny Eyed Babies and its self-titled 2011 release, have been celebrated as significant art-rock achievements by important music publications, including Consequence of Sound, The Needle Drop, Innerviews, and Eclipsed. The group has performed more than 300 shows across the U.S., Canada and Japan to date and will embark on its first European tour this year. They’ve also headlined at major festivals and venues including The Lincoln Center, ROSfest, Tulsa Center of the Universe, and Campbell Bay Music Fest.

“What Bent Knee does is fuse the most extreme ends of pop and avant-garde music together,” says Welch. “We feel those things aren’t nearly as mutually exclusive as most people think.”

“When I listen back to Say So, I think it’s the most accessible thing Bent Knee has ever done,” continues Wallace-Ailsworth. “But other times, I think it’s the strangest thing Bent Knee has ever done. For instance, ‘Leak Water’ is a relatively linear rock tune by our standards, whereas ‘Eve’ is a sprawling, epic with radical twists and turns. I think the album reflects the full spectrum of our diverse musical personalities.”

Those extremes are also mirrored in the album’s lyrical themes.

“On Say So, we’re looking at the bigger picture and figuring out where we as individuals stand and how we carve out meaning in this giant universe,” explains Baum. “The album art captures that idea too. It’s why it features a figure lost in the woods, surrounded by darkness but looking out into the light.”

Even with those signifiers and aims, the band prefers its lyrics to be wide open to interpretation. It feels both listeners and the group itself benefit from that perspective.

“I’ve had listeners come up to me and say ‘Good Girl’ from Say So is a strong statement against women being patronized or oppressed and that hit me really hard,” says Swain. “It’s possible to consider those lyrics in that context, and that perspective helped me connect even more closely with the song. How people perceive our songs helps enrich and refresh the pieces for us as we perform them over time.”


[Bent Knee | photo credit: Chris Anderson]

One of the elements that significantly distinguishes Bent Knee is its adventurous arrangements. Each track is a true journey. In fact, pieces like “Eve” and “Counselor” are so diverse they reflect an almost “songs-within-a-song” approach.

“We try not to repeat ourselves within our structures,” says Kion. “If we find we’re creating a pattern such as ramping into a loud section and landing in a soft section right after it twice in a row, we’ll break it as soon as we notice it. We don't want to bore ourselves. We also want to surprise and intrigue listeners. We’re always trying to do new things with arrangements.”

“Another thing that stands out for us on Say So is that there are more dynamics within the sections of each piece,” adds Levin. “On previous albums, there were huge dynamic differences between sections. You’d hear songs that alternate between quiet passages, explosions, grooves, and long builds. On Say So, within a section, you’ll hear a lot more variety of loud and quiet, fullness and emptiness, ambience and dryness, and timbre changes. If you drew the dynamic arc of some of these pieces, it would look kind of like a Rorschach inkblot.”

Adding to Say So’s intrigue is the group’s decision to record some of the album in an unconventional space.

“A friend of ours pointed us to an empty, unlocked, million-square foot industrial complex in Boston,” says Baum. “We went in there to record so we could explore its unique sonic atmosphere. It felt like zombies were going to jump out anytime. It was a foreboding locale and gave the session a distinctly dark vibe. We captured some wild, reverb-drenched background vocals there.”

Prior to hitting the studio, the band road-tested Say So’s material at more than 50 gigs.

“It was extremely valuable to see how the pieces went over with audiences,” says Swain. “Playing live also gives all six of us a comprehensive understanding of where we sit in the registers of the songs, enabling us to adjust where the instruments fit in the mix. It’s also important for us to see how the lyrical motifs go over. The songs would be presented 70-80 percent finished to the audiences, leaving us with room to evolve the approach before finalizing them.”

Say So is a world-class album on every level. The band collectively obsessed over every detail in its determination to set a new standard for itself and the universe of ambitious songcraft.

“We now live in a time in which pretty much anyone in the Western world has access to the vast majority of recordings online,” says Welch. “So, the competition for musicians isn’t just the band down the street anymore. The competition is bands as big as Radiohead. To have a shot at success you have to aim to be that good. But even that’s not enough. You have to be patient and work at building up your audience like we’ve done for the last seven years. One of our mentors, the producer Susan Rogers, said to us ‘Slow growth is real growth.’ It’s advice we’ve taken to heart across this journey.”

That journey has now brought them into Cuneiform’s orbit—a transition the band is thrilled with on every level.

“It means a lot for us to be on Cuneiform because of the incredibly high standards of the other artists on the roster,” says Levin. “It’s a world where music is treated as art. Working with Cuneiform means we can make the music we love and connect with a lot of like-minded listeners. It’s fantastic to be in such great company, both in terms of the musicians they work with, as well as the uncompromising vision the label adheres to.”

PROMOTIONAL TRACK //
If you'd like to share music from this release, please feel free to use the following track:
"Leak Water": @SoundCloud / @Bandcamp / @YouTube

PURCHASE LINKS
//
ITUNES - AMAZON - BANDCAMP - WAYSIDE MUSIC

ARTIST WEB SITES //
www.bentkneemusic.com - Bent Knee on Facebook - Bent Knee on Twitter
Bent Knee on CuneiformRecords.com

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